Tuesday, December 22, 2009

The 2009 Mixtape

So, I don't send out a Christmas card or anything - let's be honest, you don't want to hear about my incredible year when you're out of work, or my boxed dinners if you're married with kids, or my bar experiences if you're actually a fun person. Instead, like every year, I've put together a mixtape of the best music I heard in 2009 - rules are simple: 1.) fit on a CD 2.) don't suck. It doesn't.

DOWNLOAD THIS SHIT HERE!

Passion Pit, "Sleepyhead"
As per every other year, I'll start with the track I listened to the most in 2009 - "Sleepyhead" is an absolute masterpiece, hitting all the senses at once. From the oddly-looped samples in the background, to the chopped-and-screwed trills behind the bridge solo, to the low end just beating in . . . just an awesome pop song, one that isn't quite "pop" but definitely isn't "electronic," just "awesome."

Phoenix, "Lisztomania"
From the first second of jangly guitars, you know something amazing is on tap . . . but the left-field surprise is that the song is about exactly that expectation, that build-up. It's a great song about how impossible it can seem to write a great song - using Franz Liszt, who created an absolute hysteria in the late 1800s as a concert pianist in Europe, as the anchor. When Thomas Mars notes songs go "from a mess to the masses" then tells himself "this is your time/ this is your time/ this is you-r time.." he's not just talking about TMZ. Then, the song just ends - bliss, then silence. Metaphor is best subtle.

Yeah Yeah Yeahs, "Heads Will Roll"
Almost like the spiritual (and literal reverse) of the Killers' "Mr. Brightside" - the night shimmers while the song does, but Karen O is the predator. Jagged guitars mix with smooth synth, plus organic-yet-cold drums and low end - try not to shake your ass to this in the car. The YYYs can still be edgy, even when being as cosmopolitan as possible.

Japandroids, "Wet Hair"
Just three lines, repeated about 50 times each - although each change in inflection and timing changes everything. Just two guys, overdubbed guitar and drums - although the wall of sound is impressive and inviting. That's all it takes. "We run the gauntlet/ we must get to France/ so we can French kiss some French girls" is summer in so many syllables.

Surfer Blood, "Swim"
Fun fact: these guys used to call themselves Jabroni Sandwich, which would be the stupidest shit I've ever heard if I hadn't spent all year listening to a band called Japandroids. Luckily the songs are better - just a massive anthem, in and out in 3 minutes, the way it's supposed to be.

Matt and Kim, "Daylight"
In a lot of ways, the 'idea' of Matt and Kim is much more successful than the band itself - their first record was "neat" in all of the ways that can be bad (or, more properly, annoying), but until "Daylight" it didn't all come together. A half-dozen commercials later, and you'll definitely recognize the song (if you don't already hate it), but it's still an absurd anthem I'll take with me.

The Big Pink, "Dominos"
The drum intro portends great things, like the "Mature -N" tag on a Cinemax late-night direct-to-DVD movie. You're expecting the song to just blow up - but the Big Pink has all the time in the world. Fuck that - you can sit through a little bit of an interlude before we break into the FUCK YOU chorus . . . five words, stretched to about 12 syllables, and the best MGMT impression you'll ever want to hear. British people: still awesome.

Animal Collective, "My Girls"
A slow-building, consistently-beautiful swinging ode from Animal Collective's Panda Bear (aka Noah Lennox, also featured later) to 'his girls': his wife and young daughter. The music and lyrics swirl and wrap in on themselves, almost like a Celtic knot, ending in a plaintive refrain: "I don't mean/ to seem like I care about material things/ like social status/ I just want/ four walls and adobe slats/ for my girls" . . . then the OOOOoooooooohhh! takes it away and we start it all over again. It's a post-modern serenity prayer, and it's the best song I heard all year - not particularly close.

Grizzly Bear, "Two Weeks"
When the keyboard and oh-ohs begin, pretty much the last thing you expect out of Grizzly Bear is for the low end to drop and a light drumroll to carry the tune through the verse - but that's exactly what happens, and Grizzly Bear does it all over again.

Florence and the Machine, "Kiss with a Fist"
If Neko Case is my indie-rock love affair (and make no mistake, she is - I would sit in her bushes for hours if I weren't scared shitless of her), Florence Welch is the rough-and-tumble UK response. Note that I'm assuming this song is metaphorical, although I guess the domestic violence overtones could go a variety of rad directions on their own. ELIN NORDEGREN WOODS JOKE HERE AMIRIGHT?

The XX, "Crystalized"
Languid, sexual, restrained but only barely, with elements of soul, electronic music, and even R&B. Of all the tracks on this CD, this is clearly the one with the best shot at "crossover" appeal - not Cadillac commercials, but sustainable chart-topping viability, soccer moms to douchebags like me.

Mumford & Sons, "Roll Away Your Stone"
Like a smart Dave Matthews Band who learned to play bluegrass instead of elevator music, a shit-stomping exploration of the self - with a COMPLETELY AMAZING banjo. It's not just the banjo, though - the entire sog oozes credibility, and "Darkness is a harsh term/ don't you think?" asks two questions at once: is it the "name of the term, or the time spent serving the term?

Girls, "Lust for Life"
Song titles matter. Listening to this track with the title in mind proves the rule.

Akron/Family, "River"
What's this? An extended nautical metaphor using a variety of musical styles, ranging from whistling to woodwind sections? Sure, it's not a brand-new formula for indie rock - it's basically what would happen if the Decemberists spent less time in drama class or at Ren Faires and instead smoked weed and spoke like regular fucking human beings. That's a good thing.

Atlas Sound, "Walkabout (ft. Noah Lennox)"
If you know much about Bradford Cox and Noah Lennox, the fact that it's a song about growing up, growing old and holding onto/releasing dreams and beliefs is completely unsurprising. The heavy Beach Boys influence is only slightly surprising. That it's an impeccable pop song makes perfect sense.

Big Boi, "Shine Blockas (ft. Gucci Mane)"
Don't tell Big Boi that rap has passed the Outkast formula by - he'll just prove it hasn't with this retro/funk kick to the dick, with the enigmatic Gucci Mane in tow. "Word to LeBrown James/ he some chicken chow mein/ anyway/ you done say some silly things" - he's talking to you, assholes. Even a Tyler Perry reference, for those huge TBS fans in the fucking HOUSE HOLLER.

Raekwon, "House of Flying Daggers (ft. Ghostface, Inspectah Deck, GZA & Method Man)"
Stunningly, Deck starts off: "We pop off like a mobster boss/ angel hair with the lobster sauce" . . . and we're off, with that same tremor and magic you've wanted since 36 Chambers (probably, Cuban Linx the Original). Not only does Deck sound relevant, Method Man is absurdly good, but most important: the Iron/Chef balance is back, and Ghostface goes fucking crazy: "from Benetton rugby skullies/ Oshkosh conductor jumpers/ the train hats fit me lovely/ Rae's job is to make sure the coke is fluffy/ While I politic his birthday bash with Puffy/ bagged Nia soon as I linked up, the kid ain't inked up/ I'm an old mummy, my gold weigh as much as King Tut/ slippers, robes is minked up, under the do-rag bro/ my three dimensional fade is clean cut" . . .

The Hood Internet, "Solid Gold from New York"
AZ/Ghostface mashed up with the Golden Filter - and it sounds like the way the song should have to start. The stark, street-oriented versus play brilliantly off the glittering synths, almost like an audio tour of the City itself.

Kid Cudi, "Make Her Say (ft. Kanye West, Common, & A-Trak)"
The best Lady Gaga song released, ever. Beautifully vulgar perfection.

Roll Deep, "Shake a Leg"
And now, calypso! I have a grime fixation, so this is no surprise - sure it wasn't released this year (in the US), but I hadn't heard it, so eat a dick son. "Know what would be dandy?/ a little glass of brandy" is my new favorite put-down.

Major Lazer, "Pon de Floor (ft. Vybz Kartel)"
The video says more than I ever could.

Biggy Smalls vs. Miley Cyrus, "Party and Bullshit in the USA"
Yep. Yep. Yep.

Wednesday, December 16, 2009

Top 15 Albums of 2009

OK - since I NEVER F-ING POSTED all year (OK I did, but not at the . . . prodigious . . . pace of yesteryear), I've been pretty bad with music updates. For that reason I'll expand to 15 this year - but I won't like it, and I will probably drink enough to fight you as a result. If you want, drop me a line and I'll upload some of these so you can "sample" THEN CLEARLY GO BUY IT IMMEDIATELY AND IN CONJUNCTION WITH AMERICAN COPYRIGHT LAWS. Get me a smoothie while you're out, with the PlusProtein add-in? Thanks, dollface.

15: The Hood Internet - Mixtape Vol. 4

While not quite on par with the ridiculous "Vol. 1", the fourth installment from the Chicago DJ duo matches up the weird/experimental (Weezer over faux italo?) with legit bangers (AZ/Ghostface over the Golden Filter) and shit that just works (SPOILER: my favorite song of the year over "Back Dat Azz Up"). And it's free. Sick.

14: Animal Collective - Merriweather Post Pavilion

Easily the best AC album, and contains two of the best songs of the year ("Brothersport" and particularly the superb "My Girls" - more on that one later).

13: Major Lazer - Guns Don't Kill People, Lazers Do

Sure, it's inconsistent, jokey and smacks of a one-off . . . and there's a 4-song stretch in the middle that completely sucks (CHOKE ON SOMETHING LARGE, AMANDA BLANK) . . . but the bookends of the album are more fun than watching Cowboys fans lose. A car banger if there ever was one.

12: Roll Deep - Street Anthems

Cheating a little - this is a "retrospective" singles collection. Still, it's everything right with the UK Grime movement, in a tidy package.

11: The XX - xx

It's like Zero7 for smart people - breezy, seemingly-effortless, but with real depth and power. The drum machine actually allows for the band to open up, instead of being a constraint. Just a stunning, out-of-nowhere debut.

10: The Pains of Being Pure at Heart - The Pains of Being Pure at Heart

Yeah yeah - it's a collection of obvious influences, almost like an indie-rock hybridization experiment (you can see the Mendel squares: "Dominant trait, Stone Roses - recessive, Pixies). But it's a GOOD one - full of harmony and that odd, cloudy-but-sunny disposition that make it work in the car or on the boat.

9: Dizzee Rascal - Tongue n Cheek

So the dude goes out and makes an electroclash album - and why not? Dizzee doesn't sound as fierce, as hungry, as he did in his first albums - but growth is a good thing, and sounding comfortable over an Armand van Buran beat works much better than chatting shit about geezers and gunplay. My British rap fixation continues unabated (insert own abating joke here).

8: Yeah Yeah Yeahs - It's Blitz!

Probably the best-named record of the year, because it really is a blitz - the YYYs keep the angular guitars, but lose the Joy Division for some New Order. Holy shit, it's an actual dance album - and Karen O's squawks and howls and lyrics fit the dance floor like a fucked-up bloody glove. This is the album the Killers wish they'd made instead of Sam's Town. "Get your leather on", indeed.

7: Mountain Goats - The Life of the World to Come

John Darnielle might be the best songwriter of this generation - he spins a story better than anyone, and can create consistent yet interesting album better than anyone this side of David Berman. A Biblical album without references to God, a spiritual journey that stops to ask questions, and a teacher who doesn't pretend to have all the answers - just a great, great album.

6: Japandroids - Post-Nothing

Beach songs about French kissing French girls, changing (or losing) dreams while growing up, or just simply reminiscing - all over the kind of fuzzed-out, devil-may-care attitude that takes years to master but minutes to hit hard. It's hard to sound this lackadaisical - and even harder to actually make the music matter as a result. Gorgeous.

5: The Avett Brothers - I and Love and You

Honestly, this was not an album I thought I'd enjoy (along with similar-yet-different group Mumford & Sons), but I and Love and You blew me away at first listen. The North Carolina bluegrass roots collide with an alt-folk mentality that reminds you of Wilco but quickly runs right past its influences - heartfelt and smooth, yet jagged with loss and despair.

4: Girls - Album

Everyone has the same thought their first listen through Album: "the dude who made this is totally and completely fucked up." Of course, the first song proclaims the singer is "fucked in the head" - it's not exactly subliminal, but it's still important, and his loss is our gain. Ranging from surf to 50s R&B to a hint of rockabilly and calypso at times, this is a beach record that wears its influences proudly but uses them to reinforce lyrical themes, rather than the other way around. An incredibly impressive effort from Girls.

3: Passion Pit - Manners

The new era of pop music will accept anything as an instrument - whether it's vocals or computer manipulation or banging on a trash can. Passion Pit's expansion to a full band pushed the falsetto and computer-assisted vocals further to the back but heightened their effect, creating soaring anthems that never cross into "Wind Beneath My Wings" schmaltz for longer than a second or two. Taking the 'build/release' formula of electronic music into the mainstream - the future is grand.

2: Raekwon - Only Built 4 Cuban Linx Part II

A swaggering FUCK YOU to anybody who thought OB4CL2 was vaporware of the music world, or would be a pussy-footed effort like The Blueprint 3 - instead, Raekwon and especially Ghostface blow the doors down then pillage all your snacks and shit. I'm not sure it was the second-best album on artistic merit, but it was certainly the album I listed to the second-most this year.


1: Phoenix, Wolfgang Amadeus Phoenix

Unreal. Surreal. Perfect. Thomas Mars and Phoenix have come a long way in a short time, not by pushing boundaries, but by settling comfortably within their current vein and simply making pop music from a 60 degree angle. This album will always be the sound of 2009 for me, even if I want to murder a child every time I see the car commercial butchering "1901".

Monday, September 7, 2009

Lessons Learned?

Well, the big ol' 2-1 split this week (2-1 ATS for the season), but we learned something from every game, didn't we kids?

-Utah/USU: A lot of points is a lot of points, especially in a grudge match game. Note to self: if you don't have a strong analytical edge, stay away from big numbers. This is kind of like falling down the bar-whore ladder at closing time - in the absence of something compelling, just get the fuck out.

-USC/NCSU: This one was pegged pretty well by the major tout guys, actually, and everything that needed to happen (low-scoring game; correlative factors) did. I'm not sure we had much edge here, but following well-reasoned advice in a game without much in the way of contradicting factors is always a smart policy.

-Oregon/Boise State: I think I nailed this game basically exactly, at least as far as what I needed to do to get to the highest-percentage place for a pool. Oregon's rushing attack indeed could not take advantage of Boise's several mistakes, and a sloppy game indeed went to the superlative home field advantage. Sometimes, Occam's Razor is the way to play, especially as evidence mounts to support it (and sample sizes get larger). This could also be construed as "when it's obvious, don't do anything stupid" and/or "don't buy into major-conference preseason hype when contradicting factors emerge, you believe-everything-you-read ninny." Point taken.

Next up: weighing factor-based computer rankings while teams get connected through early play, plus the Week 1 NFL lines. Holy shit, what a week.

Thursday, September 3, 2009

It's that time again . . .

Football season begins, which means drinking myself into oblivion with 80,000 of my closest friends every weekend. The season is a total grind - you're worn out by the time November gets around, or at least you are if you're like me (NOTE: don't be like me). This year, I'm in a bunch of confidence-type pools, so I figured I'd outline my process here, for posterity if nothing else (and so I can figure out what the fuck went wrong when I get plowed under). I generally cash in these, although I win pretty infrequently - that makes me think three things:

1 - FFFFFFFFFFFFFFUUUUUUUUUUUUUUUUU

2 - It seems pretty likely I get a good handle on the "easy" games every week, but miss (at least in the sense that I don't break away from the pack) on the go-either-way types.

3 - I'm a fucking retard who talks himself into long shots for ridiculous reasons at least once a week.

I'll start with the Thursday college games, just to get warmed up (there's no action this week in any of my pools, because the NFL hasn't started and/or the dudes running it are lazy, lazy men).

Utah St @ Utah (-21)

According to Sagarin, Utah should be a 30+ point favorite on a neutral site. USU is just awful, and Utah doesn't have any sort of reputation for starting slowly. Unless Utah slams on the breaks (or inclement weather, but it's 90 and 10% chance of rain), I'm OK with going there, even acknowledging that USU was better than their record last year, and Utah will be markedly worse. Utah

South Carolina @ NC State (-5)

Bizarre game here, and tough to get a handle on because of USC's carousel of QBs last season and NC State being, well, average. I think USC is exploitable on offense (TAKE THAT, SPURRIOR HAIR CUT!) but I can't see NCSU really dominating on the offensive side of the ball either. Both Dr. Bob and Sagarin aren't big on the -5, so I'll sit on USC and hope Stephen Garcia can complete better than 53% of his frigging passes.

Note that in a "pick-the-winner (no line)" pool, I'd likely ride NCSU here - the five points are that important. I'm in both types, so I'll probably list the results independently.

Oregon @ Boise St. (-3.5)

This game is unreal, really - it looks like the line is basically perfect. Vegas, you win again (note that it opened at 5.5 - Vegas, you're full of fucking tards, but at least the market can bail you out). Oregon has only a handful of starters returning, while Boise lost its front 7 and skill-position guys. BSU's RBs are very solid, though - possibly better than the departing Ian Johnson on a per-carry/success basis. None have proposed after a Statue of Liberty, though, so I don't know any of their names off-hand - they're numbers in a douchey spreadsheet, and will stay that way until and if they rape/rob/fail their way out of school (clearly I'm an Iowa fan).

Here's the thing - BSU is probably a .5-point favorite on neutral turf. Add 3 and get the line, right? Wrong, fuck face - Boise's something like a 5.5-point favorite at home, according to Massey (not Mark - although that would be AWESOME) and just never loses there. Oregon's not a fantastic road team, although they're very good early. I wouldn't bet this game if you gave me the money (NOTE: that's a lie), but if a pool forced me to, I'd take Boise and pray the entirely-new Oregon line can't take advantage of the mostly-new Boise front 7, because Oregon's advantage should come on the ground, at least in theory. I hate this fucking game.

Wednesday, May 20, 2009

Oh. My. Science.

So there's been a lot going on, and a lot of catching up to do . . .

Manny. Fuck.

Just in case you're the last apologist on the planet, now it's pretty safe to assume that anybody on Earth who had a.) money and b.) any common sense is, has or tried to beat the MLB drug testing policy. That's just how it was - it happened. To be honest, I would have done it too - both for the drive to become the best, and because HOLY SHIT TWENTY MILLION DOLLARS. That doesn't mean it's right, and there is absolutely no way to endorse its effects on children (which is really the true downside to athletes using), but there it is.

There are SO MANY great things about the Manny story, though. First, his excuse is, essentially, a "piss-the-bed" excuse - it requires about the same level of self-delusion as the time you woke up after a night of drinking and thought, "hey, I really sweated a lot last night - it is kind of hot out here, after all, and I'm nearly certain the sweat isn't localized in the crotch region either *whistles*" . . . and I assume everyone's been there. Oh, you haven't? Awkward. Manny's supposed infertility is awesome - dude's not even 40, and already has a kid. Good work, Boras - apparently your deal with Satan does not include believable lies.

Luckily, it appears that NO ONE CARES! Seriously - it was a two-day story and now . . . gone. Does this mean we're finally getting over the media-fueled hysteria and can start to focus on real issues (like, oh, teaching kids the dangers of steroids, or teaching players how to do them more safely so they don't die at age 44)? Probably not - it's likely apathy. What a world.

The most interesting part though? If reports that the MLB investigation was triggered by elevated synthetic testosterone levels are accurate, then holy shit . . . that means whatever steroid Manny is using is NOT CURRENTLY DETECTABLE BY MLB. All he had to do was keep that 4:1 ratio, and no one would have ever found out. We always suspected that, much like the Acme Anvil Company versus the Road Runner, rogue chemists were multiple steps ahead of testing. This is literal proof - this is the puff of smoke the Road Runner left behind, or the sour taste in your mouth left after a continuation of that hack analogy. Apparently, still - no one cares.

A-Rod. Fuck You.


Selena Roberts still, well, sucks - seriously, her righteous indignation over the "culture of masculine impropriety-slash-rich people are awesome-tude" during the Duke Lacrosse Shitshow makes Louis Farrakhan look like MLK (note: that comparison brought to you by the Rooney Rule). However, the A-Rod book (awesomely titled "A-Rod" - no shit!) is simply brilliant. If we ignore, well, any semblance of journalistic integrity, and simply take all this shit at face value, we learn:

-A-Rod had a clubhouse attendant put toothpaste on his toothbrush after every game. This is not only epic douchebaggery (not even the richest, most entitled fuck on Wall Street really thinks he's above toothpasting), it's also just amazing. Like, the first thing you're thinking after a game, at 11pm or whatever, is "boy, I really want to brush my teeth, but I'd like that to be facilitated for me so it is just a little bit less demanding of me and my time"? Shouldn't a wealthy pro athlete think "boy, I should send that clubbie out for hobags" instead?

-His pickup line was something along the lines of "who's hotter, me or Jeter?" Durrr, he fucked Mariah Carey and Jessica Biel while you traipsed around with manly Canadian strippers, you dense fuck. Boy, I wonder - who could it possibly be?

-Seriously, it just keeps going from there . . . Bitch Tits? Awesome.

Sunday, May 10, 2009

Coming attractions . . .

My life has been hysterical lately, so I have great posts on the way (look for the Manny analysis tomorrow) . . . however, to start: CBS's "The Unit" is a startlingly good TV series. It's actually better than 24 at this point, with the same need to set reality aside but with a much more appropriate use of tension, character development and audience interaction. Considering where it started (and how much I hate network TV), it felt like a good "props" section. I mean, whatever.